Exhibition: Discover Degas & Miss La La

Degas’s Miss La La at the Cirque Fernando takes centre stage in this exhibition that sheds light on this work with newly discovered information about the painting and its sitter.

This landmark Impressionist painting records an extraordinary moment and features a remarkable sitter – the circus artist Miss La La, or Anna Albertine Olga Brown (1858-1945). This exhibition will take a closer look at Degas’ painting and will reveal new information about her life and career to the public for the first time.

In January 1879 French painter Edgar Degas attends performances at the newly built Cirque Fernando in Paris. There, he is mesmerised by the dexterity and technical prowess of star acrobat Miss La La, full of poise and grace, and about to reach international fame. Degas makes her the subject of one of his most original and arresting paintings, capturing her in one of her most striking and perilous acts – when, suspended from a rope clenched between her teeth, she spirals towards the circus ceiling.

Among all other works shown at the 4th Impressionist Exhibition in Paris in April 1879, a few weeks after its completion, the painting is no doubt one of the most uncompromisingly daring and modern. Reunited for this exhibition, a significant ensemble of Degas’s preparatory drawings will show him at work, observing and sketching this remarkably talented sitter.

The exhibition will also look at how Degas himself represented and related to people of colour. Although he was himself the son of a Creole mother (of European descent) and was fascinated by the ethnic diversity he saw during his stay in New Orleans in 1872-73, Degas is believed to have only painted two works representing people of colour. Drawing on recent academic research, a section of the show will investigate his complex relationship to the representation of race.

Featuring new material, from rare, hitherto untraced drawings of her by Degas, to entirely unpublished photographic portraits, the exhibition casts a frank, direct light on Anna Albertine Olga Brown, while inviting us to look afresh at the painting Miss La La at the Cirque Fernando. Its particular resonance today will be emphasised, engaging our visitors with an inspirational story not previously told at the National Gallery.