This exhibition runs from Tue, 8th Nov 2016 to Sun, 5th Mar 2017. See all dates
This exhibition is open: Monday Closed & Tuesday - Sunday 10am - 5pm10:00 am - 5:00 pm
Cost: Free of Charge
This exhibition brings the Dutch Master’s flamboyant Self-Portrait, Wearing a Feathered Bonnet, 1635, (on loan from Buckland Abbey, National Trust) to London for the first time.
The display will also delve deeper into the Gallery's own works by the painter with Girl at a Window, 1645, shown for the first time with its surviving preparatory study.
The status of the self-portrait as an authentic work by Rembrandt has been questioned in the past, but following extensive technical analysis and investigative work by the National Trust and leading Rembrandt specialists, it was firmly attributed to the Master in 2014. The self-portrait will inspire a wider display, exploring how curators and conservators worked together to authenticate the painting. It will also examine the authorship of other works by Rembrandt, acquired by the Gallery's founders in the late 18th century.
Dulwich’s paintings Jacob de Gheyn III, 1632, and Girl at a Window are undisputed works by Rembrandt that are often used as a standard by which to judge unsigned paintings from the same periods. Conversely, A Young Man, perhaps the Artist’s Son Titus, 1663, was previously doubted as a genuine Rembrandt due to its degraded condition, whilst Jacob’s Dream, 1710-15, was once a much admired Rembrandt until the restoration process revealed the signature of Rembrandt’s last pupil, Aert de Gelder. Seen together these works and accompanying analysis offer a special insight into the often challenging practise of attributing Old Master works, drawing upon a curator’s knowledge of the artist’s style; surviving documentation relating to the work’s history; and analytical investigations that reveal the artist’s materials and techniques.
Girl at a Window, one of the Gallery’s most celebrated works by Rembrandt, will be displayed next to the only known preparatory study for the work, on loan from The Courtauld Institute of Art (Count Antoine Seilern Bequest). This will be the first time both painting and study have been displayed together, revealing how Rembrandt transformed a quick graphite sketch, made from life, into the finished painting. Seen together, the works offer a unique insight into the artist's creative process.
Contact and Booking Details
More information at this website.
No need to book tickets - just turn up on the day.