If you wander around Mayfair, you might come across an old Tudor building that’s now flats, except it’s not at all old.

This is 6-10 Mount Row, and it was built in 1929-31 to a design by the architect, Frederick Etchells in a deliberate Tudor style. This was a dramatic change as he was better known as a modernist at the time, but flipped to the conservation side, and later was to be church architect as well as a long-standing member of the Society for the Protection of Ancient Buildings (SPAB).

He also had close associations with John Betjeman, who not only lived in one of the flats he designed but also wrote his obituary.

This block of flats though on Mount Street is exceptional.

It was built on the site of a 19th-century coach house, and although it’s not a faithful reproduction of a Tudor building, as there are just a few too many “not quite rights” about it, it’s enough of a representation to fool many a passer-by.

The bow windows with dark wood surrounds have richly decorated overhangs, both in the white plasterwork and the wood itself, which has been carved with images of plants, fruits and the Green Man representing the bounty of nature.

Above the entrance corridor, a grand set of windows with wooden brackets and carved into the centre are two Elizabethan style figures.

A corridor runs down the centre giving access to the flats, and the Tudor style decoration continues uninterrupted, with plasterwork on the ceiling depicting a faux coat of arms and the Tudor rose as bosses.

The lead cisterns may be copies, but as they have older dates on them, I suspect they are originals bought for the location. Further down the corridor, look up, and there’s a hidden gem here, an ornamental plaster wall decorated with a tree that can only be seen from this spot.

Beyond the portcullis is another property — nicknamed Berkeley Castle, with its own roof garden which was put on the market in 2004 for around £4 million, and was still on the market in 2005. It’s as richly decorated inside as the outside would lead you to expect, and it’s had a history as curious as the decoration.

Once owned by Sir Dinshaw “Faly” Petit it reputed had a direct link with the casino behind the building.

In the late 1970s, it was bought by Maureen Starkey, the former wife of Ringo Starr, and later rented out to a range of celebrities to use when in London, and name dropping includes Cher, Melanie Griffiths, Antonio Banderas and Paula Yates.

You can’t go inside, alas, but it’s worth seeking out as it’s pretty unique to see from the outside.

NEWSLETTER

Be the first to know what's on in London, and the latest news published on ianVisits.

You can unsubscribe at any time from my weekly emails.

Tagged with:
SUPPORT THIS WEBSITE

This website has been running now for just over a decade, and while advertising revenue contributes to funding the website, but doesn't cover the costs. That is why I have set up a facility with DonorBox where you can contribute to the costs of the website and time invested in writing and research for the news articles.

It's very similar to the way The Guardian and many smaller websites are now seeking to generate an income in the face of rising costs and declining advertising.

Whether its a one-off donation or a regular giver, every additional support goes a long way to covering the running costs of this website, and keeping you regularly topped up doses of Londony news and facts.

If you like what your read on here, then please support the website here.

Thank you

2 comments
  1. Max Davis says:

    The building seen to the left of this with the Round windows was owned by a rich (obviously) indian doctor in the 90’s and my best mates mum and stepdad got the job as live in caretakers for it, he wasnt supposed to stay there but would bed down the odd night, he took me round once and the place was amazing, it too had a richly decorated plaster ceiling in the Tudor style, a fascinating glimpse for a boy from Eltham as to how the other half lived!

  2. Roland Jeffery says:

    The interesting thing for me is that the architect of this revivalist building, Frederick Etchells, was the translator of the first English language edition of Le Corbusier’s ‘Towards a New Architecture’ (Vers Une Architecture), seen by many as the manifesto of early modernism. In the 1920s and 30s architects regularly saw modernism as one style of several in which they might work. Etchells’ translation has been criticised as departing from the original Corb text in small but important details and in lacking the iclonoclastic atmosphere of the original. A new US translation published in 2007 claims to correct this.

Leave a Reply

Your email address will not be published. Required fields are marked *

*

Home >> News >> Architecture