An exhibition has opened that’s unusually timely as it looks at the impact of windows on architecture. The windows we’re being asked to open a lot at the moment to reduce covid infections.

The exhibition though focuses on Japanese windows, and the way they have come to form an integral part of Japanese architecture. From the famous sliding window/doors of classic Japanese homes to the modern design where buildings are designed to focus views through unusually placed windows.

Unlike houses made of bricks and mortar, Japanese architecture has traditionally made use of pillars and beams to create structures that allow for flexible, moveable spaces in which windows and openings can be created at will by the sliding of a screen. In a single day, the space within a Japanese building may be dramatically altered; an opening may be created to reveal hidden gardens, or spaces may be separated to create new rooms. This makes the concept of windows in Japanese architecture fundamentally different from that of other cultural styles.

As an exhibition, it’s mainly a lot of examples of how places are used, some small scale architectural models, and in the middle a really big architectural model, that’s actually a Yosuitei teahouse in Kyoto reconstructed from washi (Japanese paper). Famous for its 13 windows despite its small size, each widow is designed to enhance the experience of the tea ceremony via the control of light and breeze. It’s large enough that you can go inside to have a look around, although there’s not a lot to see when you are in there.

More informative is the video that shows how homes can adapt to the changing weather and needs of the occupants by having walls moved around to open up new windows or close off spaces for privacy. Our European houses with fixed walls may look at that in envy, although I doubt we’d be too keen on thin walls letting in the British weather.

It’s an interesting, but not a massively fascinating exhibition, rewarding to pop in and visit if in the Kensington area but may be disappointing if you had made a special trip to visit it. Unless you’re really into windows that is.

The exhibition is open at Japan House until 10th April 2022 and entry is free, with a booked ticket from here.

Dotted around are thought-provoking phrases on the walls:

“An increase in the size of windows in indicative of an increase in civilisation” Antonin Raymond

“A good Western door creaks open heavily; a good fusuma or shōji glides open silently with the touch of a finger” Maki Fumihiko

“If our eyes are windows to the souls, that means that windows are windows to the souls of buildings” Fujimori Terunobu

“The art of architecture is about making perforations in closed spaces” Hara Hiroshi


Be the first to know what's on in London, and the latest news published on ianVisits.

You can unsubscribe at any time from my weekly emails.

Tagged with:

This website has been running now for over a decade, and while advertising revenue contributes to funding the website, it doesn't cover the costs. That is why I have set up a facility with DonorBox where you can contribute to the costs of the website and time invested in writing and research for the news articles.

It's very similar to the way The Guardian and many smaller websites are now seeking to generate an income in the face of rising costs and declining advertising.

Whether it's a one-off donation or a regular giver, every additional support goes a long way to covering the running costs of this website, and keeping you regularly topped up doses of Londony news and facts.

If you like what you read on here, then please support the website here.

Thank you

One comment
  1. MilesT says:

    Not quite moving windows (although there are continuous strips of glass) but relevant

    Some of the same principles of flexibility were included in the design of 125 Park Road London NW8 by Farrell/Grimshaw Partnership (yes an early project from a pair of “starchitects”, part built for their own use)

    Key extracts from wikipedia page to illustrate the point:

    Living space is maximised by concentrating bathrooms, lifts and stairs in a central structural core. Natural light is maximised by placing the freestanding perimeter columns behind continuous window glazing. …. Most internal walls are non-loadbearing which allows flats to be combined as larger units.

Leave a Reply

Your email address will not be published.


Home >> News >> London exhibitions